52 Google Buzz tips and tricks
All 52 tips and tricks on The Social Media Guide.
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Full story on Harp Social.
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12 Tips for Corporate Social Media Policy Guidelines
- Corporations should include social media policies in their general business conduct policy and guidelines.
- Encourage employee/member participation that is transparent and prohibit covert solicitation.
- Companies should set forth clear limits and a list of “don’ts”.
- Companies should set forth a process for dealing with deviant behavior and mistakes.
- Social Media Policies should be vetted by legal experts to control liability and risk.
- Guidelines regarding Copyright, IP and Confidentiality, Privacy and Conflict of Interests should be included.
- Companies should include a disclaimer about individual’s view points and that it does not represent the company.
- Explain the rights of individuals and policy of the company to delete posts, preview content and moderate comments.
- Set forth policy on disclosure by employees that they work for the company.
- Be clear on the company values about racism, respect and offensive language.
- Stated guidelines should include a requirement to seek permission before publishing internal communication.
- Set forth guidelines on employee conduct/behavior during crisis situations.
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According to the most recent stats, Facebook has more than 20 million to users who join just to become fans of people, products, services, and the latest crazy trend. Additionally, there are more than 400K who list their location as Hawaii.
Here are a few suggestions:
It's time to get to work and boost your fan page!
Full story on Social @ Blogging Tracker
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The company that claims the trademark on "caller ID for your website" is Netfactor, and CEO Chris Jeffers knows how to walk the line between yielding good customer service and showing a healthy respect for privacy. Despite the potential for crossing boundaries and creepy interactions, I found myself involved in several customer-pleasing scenarios which also had profit potential during a recent test drive of Netfactor's VisitorTrack technology.
What do you think?
Full story on Entrepreneur.com
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March 2, 2010: An Open Letter to Content and Event Owners Selecting their Live Streaming Partner
Livestream’s mission is to provide the premiere interactive live streaming platform for every event owner, broadcaster and premium rights holder in the music, movie, newspaper, radio and television industries.
The Piracy Problem
The availability of free live streaming services is unfortunately abused by many users broadcasting live, copyrighted content such as live sports, feature films and more (often rebroadcast from their television or cable box).
Such broadcasters infringe on the copyright of other individuals and corporations. Their actions are unlawful and hurt creative industries. In addition, they often monetize these streams through illegal pay-per-view, donation and subscription schemes on their websites.
Our Approach
- Livestream proactively prevents copyright infringement on its platform. This approach is a key differentiator in the way Livestream conducts its business and the reason why we have published our “Zero Tolerance on Piracy” policy.
- Livestream is not interested in artificial growth from illegal content.
- Livestream does not hide behind the pretense that due to content volume there is no practical solution other than the Digital Millennium Copyright Act takedown process.
- The Livestream Content Verification Program is one of the ways we put our commitment into practice. Launched in February 2009, it limits all new free channels to 50 simultaneous viewers until they are manually authorized. This resulted in a temporary 40% traffic drop in 2009—which we quickly overcame by replacing illegal media with legitimate content. The Content Verification Program is an effective, scalable system for fighting piracy and led to a dramatic drop in infringing content.
- In 2008, Livestream pioneered the automated takedown tool used daily by rights holders such as Fox, Disney, NBA, MLB, NFL, UEFA, International Olympic Committee, WWE, UFC, Warner Bros., English Premiere League and British Sky Broadcasting. Under pressure from these and other rights holders, our competitors followed and now offer a similar tool.
Our Goal
Our objective in releasing the "Zero Tolerance on Piracy" policy is to inform our customers, advertisers, partners, policy makers and competitors about the real issues and practical solutions for copyright protection in an age of ubiquitous free live video on the internet. We bring a fresh approach to the table with proven, measurable results.
We sincerely hope that our competitors will follow our thought leadership to implement the same processes to prevent copyright infringement on their platforms, either with their own initiatives or under pressure from their users, rights holders, advertising networks and elected officials. We also extend an open invitation to our competitors to work together to further evolve piracy control processes and best practices.
Ultimately, our efforts will enhance the quality and value of the live streaming industry, as we support the content creators.
Choosing a Live Streaming Partner
Often, large rights holders such as movie studios, television networks or brands will see the content side of their business working with a live platform while the legal side is fighting preventable content infringement on the same platform. When the two sides of the company connect, the business side usually has to stop doing business with the competing platform under pressure from their internal legal department.
We strongly encourage rights holders to demand that their live streaming partner uphold similar or more stringent copyright infringement policies with demonstrable results.
The Incentive to Tolerate Illegal Content
Live streaming platforms can directly benefit from illegal streamers by hiding behind the Digital Millennium Copyright Act or implementing limited effectiveness "detection technologies," while continuing to benefit from the traffic this content generates in the following ways:
- revenues from viewer subscription fees to remove ads or get guaranteed access on a popular illegal stream,
- revenues from advertising on large-volume streams driven by illegal content,
- brand exposure for the platform logo in the player,
- links back to the platform website to increase traffic, exposure and Search Engine Optimization
- and mislead investors or content partners with inflated traffic numbers on measurement services such as Comscore/Quantcast/Alexa/Compete.
Some competitors have also gone as far as allowing popular illegal channels to be hidden from their guide so that the infringing channels are harder for rights holders to discover. We hope that they will react to this letter by implementing similar piracy control policies, instead of enhancing any hiding mechanisms. At Livestream, it is our policy not to hide popular channels. Please note that paying Livestream Premium customers can unpublish channels from our guide to create private broadcasts or exclusively broadcast on their website.
Compare Popular Live Streaming Platforms
Today, it is easy to investigate for yourself the effectiveness of each platform's copyright control policies by browsing the guides of some of the competing platforms during popular sports events in the US, Europe or South America:
- Justin.tv Most Popular Live Channels
- Ustream Most Popular Live Channels
- Livestream Most Popular Live Channels
TechCrunch also spoke on the subject:
How Serious Is Justin.tv About Fighting Live Broadcasting Piracy? (http://techcrunch.com/2009/12/15/justin-tv-piracy/)Industry Background: Digital Millennium Copyright Act
Service providers such as Livestream and our competitors are protected by the Digital Millennium Copyright Act (DMCA) Safe Harbor provision. This US law is designed to help service providers protect themselves against copyright violation by their users – as they cannot practically monitor all the content uploaded by every user. This law requires service providers to delete infringing content within 24 hours after receipt of a valid takedown notice from the rights owner. The window for live events is typically far shorter than 24 hours which is why the DMCA takedown as a sole process to prevent piracy and protect rights holders is not enough in our view.
While the DMCA is very important, at Livestream we have decided to go beyond its requirements and create policies to ensure we go as far as we can to practically reduce copyright infringement.
Read more on Wikipedia: http://en.wikipedia.org/wiki/Digital_Millennium_Copyright_Act
Industry Background: U.S. Government – House Judiciary Committee Hearing
Copyright issues related to live streaming platforms are considered serious enough to have prompted the U.S. Government to hold a House Judiciary Committee hearing in Washington, D.C. on December 16, 2009 on the topic of “Live Sports Broadcast and Piracy.” Justin.tv’s CEO, alongside representatives from ESPN, UFC, MLB, and a University of Pennsylvania law professor, were invited to testify.
You can watch the recordings of the hearing on CSPAN’s web site:
- Video Part 1: http://www.c-spanarchives.org/program/290734-1
- Video Part 2: http://www.c-spanarchives.org/program/290734-2
Industry Background: Ustream Sued By Boxing Promoter Over Pirated Broadcast
In August 2009 TechCrunch reported that UStream.tv is being sued by a boxing promoter. No further news about the case has been made public, to our knowledge: http://techcrunch.com/2009/08/17/ustream-sued-by-boxing-promoter-over-pirated-broadcast/
We hope that you will find this information helpful and we look forward to doing business with you.
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Meet the Chapter 2 Agents:
- Fiesta Movement Chapter 2 kicks off with 20 teams of two agents each bringing the new 2011 Fiesta to life through missions inspired by Ford’s new small car.
- Missions will be centered around where the teams live, with agents tapping into their local communities to help execute and promote missions.
- The 2011 Ford Fiesta goes on sale this summer offering projected best-in-class highway fuel economy of 40 mpg, 15 class-exclusive technologies and personalization, all in a small car package.
Derek Dow and Christopher Adams – Chicago
Derek is an agent from the first Fiesta Movement, and embodies the lifestyle of the Fiesta brand. Christopher has produced four Grammy-nominated songs and is the first African American recipient of the 3D Hall of Fame Award.
John Preskitt and Aaron Enequist-Leiker – Chicago
John developed his own “green” apparel line and Aaron has Web and design capabilities.
Samuel Graber and Jen Friel – Los Angeles
Samuel was a writer and producer for “The Drew Carey Show” and other top reality TV shows. Jen is tied to her local art, music and entertainment scene and understands the importance of social marketing.
Beto Lopez and Sebastian “Serder” – Los Angeles
Beto is an agent from the first Fiesta Movement, who is a local event organizer with heavy connections in the hip-hop and break dance scene. Sebastian is also from the first Fiesta Movement and is CEO of Yoga Army, a unique women’s clothing line.
Vanae Tran and Fran Larkins – San Francisco
Vanae is a life and dating coach who parallels her passion into a blog and daily Web show with a following of 19,000. Fran is a project manager who went so far as to writing a haiku for his application for Chapter 2.
Laris Kreslins and Kendra Gaeta – Philadelphia
Laris is a creative director and business development manager who was the brains behind the Toyota Yaris DIY launch. Kendra works in advertising, and has a strong passion for the art and music community, with a strong online presence.
Tim Quirino and Michelangelo Ilagan – Philadelphia
Tim is a freelance graphic designer with two personal blogs and deep ties to the music scene. Michelangelo is a Web designer who spends time checking out the foodie hot spots in Philadelphia.
Shirley Braha and Peggy Wang – New York City
Shirley is a producer and creator of the TV show “New York Noise” and is very connected to the blogger and underground music scene. Peggy plays in a popular indie rock band and is a noted fashion icon as well as professional blogger for buzzfeed.com.
Monica Lo and Caitlin-Marie Miner – New York City
Monica is an art director who is extremely involved in social media and chairs industry tweetups. Caitlin is a digital animator with an effervescent personality.
Parker Reddington and Nathan Finn – Seattle
Parker is a studio engineer and producer for a recording studio who has produced more than six records and 50 shows and is very involved in the hip-hop scene. Nathan is an emcee who is well connected in Seattle, and enjoys free styling.
Keith White and Joshua Rogers – Denver
Keith started his own graffiti company at a young age, and is very influential in the art scene in Denver. Joshua is a well-known Denver graffiti artist who is currently a student.
Shane Ford and Jerry Wald – Detroit
Shane is the co-owner of The Work, a photography and video art house. Jerry is the owner of the Detroit clothing store Zeitgeist, who is a renowned photographer for musicians, actors and other prominent figures.
Austin Baker and Sunny Thaper – Phoenix
Austin is a creative director and created his own auto blog, www.62mph.com. Sunny is creative and socially connected, and hosts several tweetups to congregate friends and followers in the Phoenix area.
Jana Hicks and Satchel Jester – Atlanta
Jana is a producer at Metromix, is extremely excited about social networking and has vast experience in the entertainment and music scene in Atlanta. Satchel operates his own public relations firm, and has a keen eye for fashion design and event hosting.
Alyssa Gardina and Colin Alsheimer – Dallas
Alyssa is a marketing associate who is incredibly involved in networking herself on a professional and social level and regularly attends tweetups. Colin is a marketing manager who leads weekly podcasts and is a speaker at many marketing conventions.
Mark Baratelli and Dan Ginader – Orlando
Mark is an improv actor at one of the top theaters in Orlando and toured as an actor with Jesus Christ Superstar. Dan works at the Orlando Sentinel and produces all the creative and events for www.thedailycity.com.
Jonathan Paula and Jory Caron – Boston
Jonathan has the 65th most subscribed YouTube channel and is a director and producer at Ideo Productions. Jory works full-time on his YouTube projects for his sketch comedy show called Righteous TV and spends his free time enjoying the music scene in Boston.
Daniel Alvarez and Carlos Lange – Miami
Daniel curates art events in Miami, with his own art showcased in galleries in Miami. Carlos is a graphic designer and is very passionate about the local arts scene and has collaborated with a number of local artists on side projects.
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- Start local
- Give some things away for free
- Make it easy to share
- Use location based advertising
- Tell a good story
Full story on Designdamage Blog
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